Robert Goulet - In Person (front cover) Vinyl

Robert Goulet - In Person (1963) Vinyl LP •PLAY-GRADED• Live in Concert

$3.99
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Robert Goulet - In Person (front cover) Vinyl

Robert Goulet - In Person (1963) Vinyl LP •PLAY-GRADED• Live in Concert

$3.99

Catalog Number:

CL-2088

Musical Styles:

1960s, Easy Listening, Jazz Pop, Traditional/Vocal

Sleeve Grade:

Very Good (VG)

Record Grade:

Very Good (VG)

Condition Details:

Vinyl plays with crackles and some clicks (play-graded). Cover has a few creases near edges; moderate scuffing (front/back); surface impressions and tiny surface abrasions on front; slight discoloration on back. Inner-sleeve is generic white. Spine is mostly readable with mild-wear. Shelf-wear along top/bottom-edge and corners. Opening is crisp with signs of light use and a few divots. STEREO pressing with red 2-eye label. (Not a cut-out.)


Tracks:

  1. Wake Up
  2. All Or Nothing At All
  3. They Call The Wind Maria
  4. Gigi
  5. Almost Like Being In Love
  6. What Kind Of Fool Am I?
  7. Concentrate On One Thing At A Time
  8. The Blues Are Marching In
  9. Old Songs Are Really Like Old Friends
  10. My Melancholy Baby
  11. It Had To Be You
  12. When The Red Robin Comes Bob, Bob, Bobbin' Along
  13. Lazy River
  14. This Is All I Ask
  15. Melinda
  16. Soliloquy
  17. If Ever I Would Leave You

About The Record:

Recorded live at the Chicago Opera House, Robert Goulet's fifth album, In Person, chronicles a carefully scripted concert act written by Lyn Duddy and arranger/conductor Jerry Bresler, who get five songwriting credits among the 11 tracks. Duddy and Bresler write showy tunes that give Goulet a chance to exercise his big baritone. Frank Sinatra's All or Nothing at All is transformed from a ballad into an up-tempo rave-up; there is a good medley of Lerner & Loewe songs Goulet did not sing in Camelot (They Call the Wind Maria from Paint Your Wagon, the title song from Gigi, and Almost Like Being in Love from Brigadoon); a medley of Tin Pan Ally turn-of-the-century hits is less campy than you'd expect; and Rodgers & Hammerstein's Soliloquy from Carousel offers Goulet a big acting opportunity that he makes the most of. He gets a nice hand for his single What Kind of Fool Am I? after an introduction about the ups and downs of love and, inevitably, closes things out with his Camelot showstopper If Ever I Would Leave You. The set is a showcase for Goulet's skills and naturally features some bravura singing.

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