Telemann Society - Heritage of the Baroque (front cover) Vinyl

Telemann Society - Heritage of the Baroque (1962) Vinyl LP • Harpsichord

$5.99
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Telemann Society - Heritage of the Baroque (front cover) Vinyl

Telemann Society - Heritage of the Baroque (1962) Vinyl LP • Harpsichord

$5.99

Catalog Number:

STPL-516.260

Musical Styles:

1960s, Chorale, Classical Pop

Sleeve Grade:

Excellent (EX)

Record Grade:

Excellent (EX)

Condition Details:

Vinyl plays with occasional light-crackles (play-graded). Textured cover looks good, a few creases near edges; light scuffing and discoloration with darker spots (front/back); some surface impressions on back and number stamped near top left. Inner-sleeve is original (generic white). Spine is easy-to-read with mild wear. Little shelf-wear along top/bottom-edge and corners. Opening is crisp with signs of light use and divots. Release date is approximately 1962. Yellow label with black print. (Not a cut-out.)


Tracks:

  1. Dances From "Terpsichore"
  2. Cantata, "Ich Bin Eine Blume Zu Saron"
  3. Trio Sonata In F Major
  4. Canzona In The Ionian Mode
  5. Trio Sonata In F, Op. 1, No. 1
  6. Sonata In F
  7. Trio Sonata For Two Recorders And Harpsichord
  8. Trio For Three Recorders, Op. 1, No. 8
  9. Variations On "What're Ye' Goin' T' Do Wi' A Drunken Sailor?"
  10. Two Dances From The Glogauer Liederbuch

About The Record:

Heritage of the Baroque, by Telemann Society, "consists of secular music in bravura style...that is, virtuoso solo music. A comparison of these works, which cover the entire period between 1600 and 1750, underlines the remarkably rapid development of high virtuoso technique during the Baroque era. This trend away from the intellectual and toward the gymnastic continued into the nineteenth and twentieth centuries, producing some rather grotesque breaches of good taste, but the eighteenth century was a time which enjoyed an optimum balance between musical substance and virtuoso display." (liner notes). Orchestra features: Theodora Schulze, Dorothy Walters, John Dennison, and Harold Kohon, under the direction of Richard Schulze.

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