Maurice Jarre - Doctor Zhivago (1965) Vinyl LP • Soundtrack, Lara's Theme

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Condition Details:

14-page Book Attached to Inner-gate. Vinyl plays with crackles, clicks, and a few pops (play-graded). Gate-fold cover looks great; a few creases near edges;light-scuffing on inner-gate; moderate scuffing, slight discoloration with darker discoloration spots, and surface impressions (front/back). Inner-sleeve is generic white. Spine is easy-to-read with mild-wear. Minor shelf-wear along top/bottom/right-edge; developing split near center of bottom-edge. Wear to corners. Opening is crisp with signs of light use. (Not a cut-out.)

Tracks:

1. Overture From "Doctor Zhivago"
2. Main Title From "Doctor Zhivago"
3. Lara Leaves Yuri
4. At The Student Cafe
5. Komarovsky And Lara's Rendezvous
6. Revolution
7. Lara's Theme From "Doctor Zhivago"
8. The Funeral
9. Sventytski's Waltz
10. Yuri Escapes
11. Tonya Arrives At Varykino
12. Yuri Writes A Poem For Lara

About The Record:

Doctor Zhivago, is a lively and vibrant work from the brilliant young French composer Maurice Jarre. Already heralded for his acclaimed scores in the films The Longest Day, The Collector, and Lawrence of Arabia, Jarre put together a bold and expressive score in spirited fashion. The music for Doctor Zhivago includes Russian folk tunes, bits from Soviet marches, songs, ballads, and dances. Featured in this work is the lovely and haunting Lara's Theme, as well as themes noting the violence and terror of the revolution. With a chilling sense of detail, scope, and experimentation, Jarre proves to be successful at capturing the essence of the film's main character, Doctor Zhivago, featured earlier in the book by Boris Pasternak, who received the Nobel Prize for Literature. The album was put together using an orchestra unprecedented in its size and scope at the time. Jarre conducted the orchestra himself for ten days, using the full 110-piece group assembled in Hollywood for the occasion. Also featured was a unique group of 24 balalaika musicians and Japanese instrumentalists; koto, gong, organ, Novachord, electric sonovox, harpsichord, electric and tack pianos, and zither were included in the ensemble. The music was accompanied by 40 voices. Leo Arnaud, Lou Raderman, and Monique Rollin each worked closely with Jarre during the recording of this film masterpiece. The music itself is fresh, unique, and daring, performed by the orchestra with enthusiasm and a remarkable sense of energy and flair. It was nominated and won Grammy Award for Best Score Soundtrack for Visual Media