{"product_id":"jgm2-5055","title":"Enzo Stuarti - Arrives at Carnegie Hall (1964) 2-LP Vinyl • Autographed","description":"\u003cdiv\u003e\n\u003ch3 style=\"display: inline-block ; margin-bottom: 0px ;\"\u003eCatalog Number:\u003c\/h3\u003e JGM2-5055\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3 style=\"display: inline-block ; margin: 0px ; padding: 0px ;\"\u003eMusical Styles:\u003c\/h3\u003e 1960s, Classical Pop, Vocal\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3 style=\"display: inline-block ; margin-bottom: 0px ; padding: 0px ;\"\u003eSleeve Grade:\u003c\/h3\u003e Very Good Plus (VG+)\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3 style=\"display: inline-block ; margin: 0px ; padding: 0px ;\"\u003eRecord Grade:\u003c\/h3\u003e Good Plus (G+)\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n \u003ch3 style=\"margin: 0px ; padding: 0px ;\"\u003eCondition Details:\u003c\/h3\u003e\n \u003cp style=\"margin: 0px ; padding: 0px ;\"\u003eAutographed and endorsed to Thelma. Vinyl plays with crackles, clicks, and pops; album has a slight musty smell (play-graded). Double LP. Gate-fold cover looks good; a few creases near edges; light-scuffing, tiny surface abrasions, and surface impressions (front\/back\/inner-gate); slight discoloration on right panel of inner-gate. Inner-sleeves are generic white. Spine is easy-to-read with some wear. Shelf-wear along top\/bottom-edge and corners. Bend in bottom-right corner.Openings are crisp with signs of light use and divots. Late 60's\/early 70's pressing with small color-spiked Jubilee label. (Not a cut-out.)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n \u003ch3 style=\"margin: 0px ; padding: 0px ;\"\u003eTracks:\u003c\/h3\u003e\n \u003col style=\"margin-top: 0px ; margin-bottom: 0px ;\"\u003e\n \u003cli\u003eOverture\u003c\/li\u003e\n \u003cli\u003eWe're Not Strangers\u003c\/li\u003e\n \u003cli\u003eYours Is My Heart Alone\u003c\/li\u003e\n \u003cli\u003eOnce In A Lifetime\u003c\/li\u003e\n \u003cli\u003eCome' Prima\u003c\/li\u003e\n \u003cli\u003eThat Wonderful Girl Of Mine\u003c\/li\u003e\n \u003cli\u003eIf You Are But A Dream\u003c\/li\u003e\n \u003cli\u003eYou Stepped Out Of A Dream\u003c\/li\u003e\n \u003cli\u003eGigi\u003c\/li\u003e\n \u003cli\u003eI've Grown Accustomed To Her Face\u003c\/li\u003e\n \u003cli\u003eThis Is All I Ask\u003c\/li\u003e\n \u003cli\u003eSeptember Song\u003c\/li\u003e\n \u003cli\u003eIt Never Entered My Mind\u003c\/li\u003e\n \u003cli\u003eOn The Street Where You Live\u003c\/li\u003e\n \u003cli\u003eSmile\u003c\/li\u003e\n \u003cli\u003eAl Di La\u003c\/li\u003e\n \u003cli\u003eThe Exodus Song\u003c\/li\u003e\n \u003cli\u003eOverture\u003c\/li\u003e\n \u003cli\u003eWe're Not Strangers\u003c\/li\u003e\n \u003cli\u003eThe Sound Of Music\u003c\/li\u003e\n \u003cli\u003eAnd That Reminds Me\u003c\/li\u003e\n \u003cli\u003eAs Long As She Needs Me\u003c\/li\u003e\n \u003cli\u003eIf Ever I Would Leave You\u003c\/li\u003e\n \u003cli\u003eYou'll Never Walk Alone\u003c\/li\u003e\n \u003cli\u003eIf I Loved You\u003c\/li\u003e\n \u003cli\u003eWest Side Story Medley\u003c\/li\u003e\n \u003cli\u003eTonight\u003c\/li\u003e\n \u003cli\u003eMaria\u003c\/li\u003e\n \u003cli\u003eThe House I Live In\u003c\/li\u003e\n \u003cli\u003eSomewhere\u003c\/li\u003e\n \u003cli\u003eSorrento\u003c\/li\u003e\n \u003cli\u003eWe're Not Strangers\u003c\/li\u003e\n \n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\n \u003ch3 style=\"margin: 0px ; padding: 0px ;\"\u003eAbout The Record:\u003c\/h3\u003e\n \u003cp style=\"margin: 0px ; padding: 0px ;\"\u003eEnzo Stuarti was an Italian American tenor and musical theater performer. After performing on Broadway under the stage names Larry Laurence and Larry Stuart, he changed his name again and began a recording career in which he released several successful albums. He made regular stage and television appearances, and was featured in commercials for Ragú spaghetti sauce. Toward the end of 1954, he took the name \"Enzo Stuarti\" at the suggestion of Ed Sullivan, who thought he should have a more Italian-sounding name. He began reworking his voice and focusing on a career as a semi-classical vocalist. His first big break came when Jubilee Records signed him in 1960. Stuarti's debut album, \u003cspan style=\"font-style: italic ;\"\u003eWe're Not Strangers\u003c\/span\u003e enjoyed moderate success, but it was a last-minute engagement at the Plaza Hotel's Persian Room that began to get the singer noticed. The press response was favorable and this prompted Jubilee to try a two-faceted promotion push. First came his second album, \u003cspan style=\"font-style: italic ;\"\u003eEnzo Stuarti at the Plaza\u003c\/span\u003e followed by presenting the singer in an arranged promotional concert at Carnegie Hall, which was recorded and later released as a two-record set, \u003cspan style=\"font-style: italic ;\"\u003eEnzo Stuarti Arrives at Carnegie Hall.\u003c\/span\u003e Well recorded and well produced, the album helped to establish Stuarti's standing as a vocalist and night club performer, and he considered the performance to be one of the high points of his career.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Record Vision","offers":[{"title":"Default Title","offer_id":52793780928793,"sku":"JGM2-5055","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/6937\/8329\/files\/LP-enzo_stuarti-arrives_at_carnegie_hall.jpg?v=1783554747","url":"https:\/\/record-vision.myshopify.com\/products\/jgm2-5055","provider":"Record Vision","version":"1.0","type":"link"}